COVID-19 and the World of Work

Jury Kebekol blends culture and business

In this month’s Q&A, we caught up with the very talented Jury Kebekol, a traditional weaver from Palau. Jury is currently part of a cohort of cultural and creative workers receiving trade and business training through the UN Informal Economies Recovery Project.

18 October 2021

Jury Kebekol spoke to us about her work, the challenges she faces and her passion in passing on her knowledge.

Please tell us a bit about yourself and your background as a weaver!

I am from Kayangel State. I was born in 1950 and learned weaving in my early teen years but started to sell my weaving when I was 19 years old. Kayangel is an atoll island north of Palau well known for its weaving using pandanus leaves. I was surrounded by many talented weavers in my family and in my community. I observed and learned on my own how to produce many different designs of bags, mats, and whatever people asked me to make.

The income I earned from weaving helped with our daily household needs. I moved to Koror but continued to weave. I wanted to make sure I had some retirement funds and so I joined the Senior Citizens Employment program where I made pandanus bags, mats, and other orders that were sold at the Old Age Center in Koror. By doing this I was able to earn enough credits towards my Social Security benefits after 13 years of service.

What are some of the challenges you face as a weaver in Palau?

One of the main challenges is lack of access to pandanus. Kayangel has a pandanus plantation but only a few women maintain and collect its leaves which are sold in Koror. When I was working for the Senior Citizens Employment Program, I had a regular supply of pandanus but when I retired, I stopped. The pandanus plantation is also affected when we have typhoons.

I have very little knowledge about other handcraft businesses in Palau but I know that my craft supported my family to meet our daily needs. When we have orders from customers, especially from gift shops or government offices, I can produce more if I have enough pandanus.

What do you think is needed to ensure the ongoing production of handicrafts and woven products in Palau?

I think we need more training and people to learn how to weave or do other crafts. I am willing to teach and in fact that is what I have been doing in the past during summer time. I get hired to teach summer school children in Koror but I don’t mind teaching adults too.

How do you think the UN training will help you and what areas will you be focusing on?

Through this UNESCO training, I now know that I can get processed pandanus leaves at the Museum gifts shop. I’ve never had any formal business training and truthfully, I’m a bit nervous about it. I’m not good at speaking in public but I can teach adult and young people who want to learn to weave. Now that I am retired, I receive my meagre monthly benefits at the end of the month but I still rely on selling my weaving products to support our family.

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COVID-19 and the world of work

Inclusive Economic Recovery through Sustainable Enterprises in the Informal Economies of Fiji, Palau, Tonga and Vanuatu